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Andrew Devis at CreativeCOW has recorded a tutorial highlighting the different options for using Dynamic Link to roundtrip between Premiere, AE, and Encore.
Adobe premiere pro vs after effects how to#
Rather than just focus on my own experiences, however, I'd like to share a tutorial on how to use Dynamic Link. At least, this is my understanding - am I missing something? Is all of this just confusing? Please share your experiences in the comments. As it is, once you go AE, it's hard to go back. While I'm happy to have the ability to open a Premiere Pro sequence in After Effects, one can't but wonder if the two programs could be combined in order to prevent this non-ideal workflow. There's no way to drill down to the individual clips to make changes unless you import a Premiere sequence, at which point I'm back in the same boat I was in before when using Final Cut (though it's worth noting that Premiere's integration is far more advanced, as most effects and transitions carry over flawlessly). The second option is to use Dynamic Link to open a Premiere project in After Effects, at which point you can import sequences and have them show up in AE - as a single object.
Adobe premiere pro vs after effects update#
And in Premiere selecting "Replace with After Effects composition" is the best solution available anywhere to this issue.ĭynamic Link gives you a few options, which are: one, you can create an After Effects composition within Premiere Pro, and have that comp dynamically update in your Premiere sequence when you make changes in AE. In theory, Adobe has designed Dynamic Link to solve this problem. However, it's hard to beat from a price:quality perspective - this is the reason this workflow is spotlighted in Stu Maschwitz's DV Rebel's Guide. And then if I need to revisit the edit in Premiere, I in fact have a newer edit in AE than I do in PPro. But now if I make changes to my edit in Premiere, they aren't reflected in AE, and so I find myself making edits in AE, which is far from ideal given the program's lack of real-time editing features (and editing tools like trim, slide, etc).
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Once I change the coloring and add the final titles and effects, I find my picture lock often becomes unlocked.
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So what's the best workflow between Premiere and After Effects?ĭynamic Link is the answer, as the tutorial above demonstrates. While this approach gives a very high quality output, a problem rears its head if you want to make changes to the edit after "locking" picture. To date I've been using a workflow similar to the one I'd use when editing in Final Cut Pro, which was to import a final sequence into After Effects (either as an XML or by using Premiere Pro as an intermediary), and apply color correction, titling, and other effects in AE. Since switching to Premiere Pro, my editing workflow has been to lock picture in Premiere and then finish in After Effects.